Thank
you so much for having me on your blog today! I’m really excited to be here and
to be celebrating the release of my third novel, Whereafter (Afterlife #3)!
What inspired you to become an
author?
I’ve
always written, ever since I was a child, but I never thought about doing it
professionally until 2001. I came home from a bad day at work with a story idea
running in my head. I sat down at the computer and started typing and didn’t
stop. Pretty soon I had the solid beginnings of a novel and decided maybe I
should do something with it. However, after four years, I hadn’t made a lot of
progress towards completing the novel, so I decided to join a local writers’
group to help keep me motivated and accountable. It worked and I was able to
finally finish that novel in 2009, though it still remains unpublished. I
started work on another novel, Hereafter, and was able to sell that to a
publisher in 2012. I think what finally pushed me to try and get published was
belonging to the writers’ group. Joining the writers’ group made me feel like I
was serious about writing and being published—it became a goal instead of just
a hobby.
Do you have a specific writing
style?
I
describe my work as “fantasy and science fiction with a literary bent,” though
my work is a really a blend of science fiction/fantasy, women’s fiction, and
literary fiction, in the vein of The
Lovely Bones, Cloud of Sparrows, Peony in Love, The Sparrow, Neverwhere,
and The Time Traveler’s Wife.
Do you write in different genres?
For
me, genre is just a tool for telling a story. I’m not wedded to a particular
genre, so I do tend to write in different genres (as well as different styles).
I’m fascinated by a lot of things—the world is a source of endless wonder to me—and
so I tend to hop around, exploring various subjects through my writing, and, as
such, I write in the genre best suited for the story I’m telling. I’ve explored
identity and truth in my first (still unpublished) novel, Say It Three Times.
In the Afterlife Series, I explore afterlife mythology, the nature of love and
friendship, and learning to accept our own weaknesses. I have a science fantasy
in the works that is about survival, identity, and dealing with mortality, and
a historical fiction on the backburner that is about the Bread and Roses strike
of 1912. So… yeah, for sure on the genre hopping.
All
of my stories share common elements—they tend to be more character-driven than
plot-driven, often are more “think pieces” and low concept (rather than high
concept/easy to describe in a succinct statement) that stay with the reader and
keep them thinking long after the story is done, and are almost always
cross-genre or defy genre-conventions. It’s these characteristics that are the
trademarks of my writing, rather than a particular style (or genre). However,
no matter what genre I’m writing in or what style I’m using, readers know that,
from me, they are going to get a thought-provoking, often unsettling, story
that will make them think.
If yes which is your favorite genre
to write?
So
far, I’ve mostly stuck to science fiction and fantasy—those come naturally to
me—but really, I love all genres. For me, the key thing is telling a
character-driven story about people’s emotional struggles. That’s what I love
to write about. And if that takes the form of a fantasy story or a science
fiction story or a romance or a historical fiction, then so be it. Whatever
tool/setting is necessary to tell the character’s story.
How did you come up with the title
for your latest book?
Originally,
Hereafter, the first book in the series, was called “In the Land of
Mictlan—Book One: Across the Pontine” (Mictlan is the Aztec afterlife and a
Pontine is a bridge to the afterlife). My sister talked me out of that—too
pretentious, didn’t fit the style of the book (sounds more epic fantasy), and
no one would know what it meant. Then I struggled and struggled to find a new
title—finally I settled on “Hereafter” just as a place holder, assuming the
publisher would change it. Well, the publisher ended up liking it, and decided
to keep it. Of course, right after the publisher bought my book, another book
by a big name YA author came out with the same title. We talked about changing
my title, but the publisher liked it and I already had named all the other
books in the series based on all of them being a play on the word “after” (the
“after” in “afterlife”), so we decided to keep it.
I
have titles for all six books in the series already; each uses the word “after”
and is related to the central theme of each story:
• Book #1 is titled Hereafter, which takes
place (here) on Earth/the land of the living.
• Book #2 is called Thereafter and takes place
(over there) in the afterlife/on the “other side.”
• Book #3 is called Whereafter and takes place
(somewhere) in between the land of the living and the afterlife (it’s unclear
where the characters are), and also, the book is about the two main characters’
attempts to reach a particular destination (to get somewhere in particular).
• Book #4, Whenafter, will be about “when” the
story is taking place. In Whereafter, we learn that time is not passing the
same in the land of the living as it is in the land of the dead. So in Book #4,
exactly when the story is taking place will be important.
• The remaining books will be called, either
Elseafter (Book #5) (about choices) (it was originally going to be called Never
After but there’s a few other books with that title already, including one by
Laurell K. Hamilton, so I switched the title), and Ever After (Book #6) (this
might change as I worry it’s clichéd, but it does fit really perfectly).
Do you title the book first or wait
until after it’s complete?
A
little bit of both. Every story always has a working title, which may or may
not end up being the finished/published title of the story. So there’s a title
from the very beginning that I refer to it as and then upon completion, that
working title is often changed to what ends up being the title it’s published
under. I tend to continue referring to a book by its working title, however,
forever. I still call Hereafter “Mictlan” and that’s how it’s saved on my
computer!
What books/authors have influenced
your life?
For
sure, T.H. White’s “The Once and Future King,” was one of the most impactful
books I have ever read. I read it once a year around my birthday just to remind
myself that the struggle to be noble and good is worth it. Joseph Heller’s
“Catch-22” influenced my social-political views, “The Little Prince” influenced
my life philosophy, and Marianne Williamson’s “A Return to Love” has helped
guide me in my attempts to be the best version of myself.
What is your current “work in
progress” or upcoming projects?
As
always, I have a bunch of things in the works. There is, of course, the next
book in the Afterlife series, I’m working on editing a “Blade Runner meets The
Usual Suspects” science noir story that I’ll be shopping to publishers soon,
and I’m working on a science fiction novel that started out as a space-opera
“sci-fi western” and is morphing into a much more sobering, almost hard sci-fi
mortality tale about a group of space miners trying to survive on an abandoned
mining outpost in deep space.
Of
course, your readers probably most want to know what is in store for Irene and
Jonah! The next book in the Afterlife series is titled, “Whenafter.” There is
no release date set yet, but I have already started working on it. Whenafter
will feature the return of a significant character from Hereafter, and finally,
readers will get some answers to some long-standing, unanswered questions!
Whenafter Description:
In
The Afterlife, Nothing Is As It Seems…
Just
as she’s found the doorway from the Great Beyond back to the land of the
living, Irene Dunphy’s plan to return home as a guardian angel is derailed by a
surprise attack from an old enemy.
Swept
into the afterlife plane inhabited by the Nephilim, Irene is forced to call in
a favor from the mysterious Samyel—the Nephilim who used her to bring him to
the afterlife and then promptly abandoned her. He’s her only hope of survival
and escape—if he can be trusted to deliver on past promises. But will Samyel
help her—or betray her?
Is there anything you find
particularly challenging in your writing?
I
find it really hard to write emotionally sad scenes—goodbyes and death/loss. I
have a hard time feeling like the scene is emotional enough—I want readers to
really feel it (and to cry!). Emotional scenes in terms of anger,
embarrassment, frustration, fear… all of those I find much easier. But I’ve
never written a really sad scene that I felt was good enough (like when Irene’s
horse dies in Thereafter or when she says goodbye to Jonah at the end of
Thereafter).
Who is your favorite author and
what is it that really strikes you about their work?
I
think my most favorite author is Terry Pratchett because he so effortlessly
combined humor and emotional gut punches. In one sentence he’d have you
laughing and in the next he’d be delivering a very sobering commentary on
society or having something very emotional happen to the characters. It’s
amazing to me how he was able to do both elements so well and to blend them so
well.
Of
course, any author that can make me cry also ranks among my favorites as well:
T.H. White (The Once and Future King), Aryn Kyle (The God of Animals), and Mary
Doria Russell (The Sparrow) are all on this list.
Do you have to travel much to do
research for your books?
Virtual
travel! LOL! I do a lot of research for the books in the Afterlife series—in a
way, they are almost historical fiction, because the afterlife is full of
people from throughout history, right? So I’ve had to research not just
afterlife myths, but physical places associated with the afterlife (real life
places that people believe are doorways to the afterlife), fashions from throughout
history, the geographic history of Boston, Massachusetts (I had to find “ghost
streets” for Hereafter and/or streets that have been renamed in the last one
hundred years), and do extensive research on the geography and history of Spain
as relates to the crusades and the wars against the Moors in the twelfth
century. I love the internet so much—how did authors do all this research
before then?!
Do you have any advice for other
writers?
Write!
Don’t
wait for inspiration, don’t wait to be in the mood—push yourself through the
“meh” feelings and writers’ block and just put words on the page. You can
always edit it later. The biggest challenge for a new writer (any writer,
really) is actually finishing a story. It’s so easy to start a story, but
finishing… that’s much harder. But you can’t get published if you don’t
actually finish anything.
I
want to thank you once again for letting me stop by and chat about Whereafter.
For those that love afterlife mythology or want to learn more about the
Afterlife series, during the month of April, I will be participating in the “A
to Z Blogging Challenge,” and every day, I will be posting a video blog (at
http://www.terribruce.net) in which I reveal all of the hidden references to
afterlife mythology and “Easter Eggs” in the series. I encourage everyone to
stop by each day and check out the videos! You can also sign up for my
newsletter to stay up to date with all my latest news. In addition, I love
interacting with readers, so please feel free to email me or connect with me on
Twitter.
Whereafter
Afterlife
Book 3
Terri Bruce
Genre: Contemporary fantasy/paranormal
Publisher: Mictlan Press
Date of Publication: March 15, 2016
ISBN: 9780991303649
Number of pages: 345
Word Count: 100,000
Formats available:
Paperback and all ebook formats
Cover Artist: Shelby Robinson – artwork
Jennifer Stolzer – layout and design
Book Description:
How Far Would You Go To Get Your Life Back?
Stuck in the afterlife on an island encircled by fire and hunted by shadows bent on trapping them there forever, Irene and Andras struggle to hold onto the last vestiges of their physical selves, without which they can never return to the land of the living. But it’s not just external forces they’ll have to fight as the pair grow to realize they have different goals. Irene still clings to the hope that she can somehow return to her old life—the one she had before she died—while Andras would be only too glad to embrace oblivion.
Meanwhile, Jonah desperately searches for a way to cross over to the other side, even if doing so means his death. His crossing over, however, is the one thing that could destroy Irene’s chances of returning home.
Too many obstacles, too many people to save, and the thing Irene most desperately wants—to return to her old life—seems farther away than ever. Only one thing is clear: moving on will require making a terrible sacrifice.
Excerpt #1
Char shook her head and rolled her eyes. “I was going more
for a sense of forced gaiety in the face of impending doom, but, sure, your
rather strange and far-fetched idea works, too.”
“Doom?” Jonah scoffed. “There’s nothing creepy here. In
fact…” He scanned the room, his lips pursed as the subtle thought that had been
nagging at him since they’d arrived finally crystalized. Setting aside the fact
that Irene wouldn’t be caught dead waltzing or in a library or wandering naked
in a garden, and that her letters had indicated she was outside, at a river,
there was another glaring indication that they weren’t in the right place:
Valhalla, Heaven, Eden, Tlalocan… they all had one thing in common. They were
where the happy dead went.
Disappointment sizzled through him, instantly souring the
happiness of a few moments ago. “You know what—let’s go.” He turned back toward
the doorway through which they had just come.
“Go? Wait… you mean we’re leaving?”
“Irene’s not here.” Frustration burned like acid in his gut.
He pushed blindly through the throng, numbness and anger warring within him.
All that time, all that effort… for nothing. He was back to square one.
“What do you mean? This place is huge; we haven’t even
searched half of it yet.”
“I can tell she’s not here. This isn’t where she went.”
Bitterness bubbled over, and he desperately wanted to punch something. He tried
to tamp the feeling down; he’d give vent to his feelings in private, away from
Char’s prying, mocking eyes.
“How do you know she isn’t here?” Char said, a note of
insistence creeping into her voice. “We’ve hardly even looked.”
Jonah stopped dead in his tracks and gestured wildly to the
rooms around them. “Look around. These people are all happy. This is Valhalla
and Elysium and Eden—the places people go to carouse and rejoice and celebrate
a life well lived. These people don’t mind that they’re dead. In fact, they’re
thrilled. It’s one endless party.”
“And let me guess—Irene was not happy to be dead?”
Jonah turned away from her with a scowl and resumed heading
for the doorway back the way they had come. “No. She was pissed. This is the
last place she’d be. No, she’s somewhere else.” Waiting at a river to pay a
coin to a ferryman—that sounded like the Greek or Egyptian afterlife to him.
And if she hadn’t then crossed into Elysium, that left Tartarus or
Hades—basically Hell. He’d been right to worry. She was in trouble.
About the Author:
Terri Bruce has been making up adventure stories for as long as she can remember and won her first writing award when she was twelve. Like Anne Shirley, she prefers to make people cry rather than laugh, but is happy if she can do either. She produces fantasy and adventure stories from a haunted house in New England where she lives with her husband and three cats. She is the author of the Afterlife Series, which includes Hereafter (Afterlife #1) and Thereafter (Afterlife #2) and several short stories including “Welcome to OASIS” (“Dear Robot” anthology, Kelly Jacobson publisher) and “The Well” (“Scratching the Surface” anthology, Third Flatiron Press).
Website/Blog: www.terribruce.net
Goodreads: www.goodreads.com/TerriBruce
Facebook: http://www.facebook.com/authorterribruce
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