Monday, October 05, 2020

The Sticker Secret to Writing Productivity with Laura Bickle #urbanfantasy


Soooo…I was a kid in the eighties, when stickers were a big deal. Such a big deal. In fourth grade, every girl had a sticker album, and lunch hours were spent swapping stickers. The most valuable ones were the fuzzy ones, the flocked rabbits and kittens that were only sold at the Hallmark store in the mall. Followed by Lisa Frank stickers. Rainbow unicorns and pegasi…is that the plural of ‘pegasus’? They studded my Trapper Keepers and glossy folders. I took immense pleasure in counting them and gazing upon them.

And teachers really knew how to exploit that sticker lust. Throughout elementary school, one could score stickers for 100% on a spelling test. Stickers, no matter how elaborate or simple, were a motivational tool, and teachers knew how to use that for their own educational ends. 

My parents even got in on sticker motivation. They tacked a page of notebook paper to our refrigerator and told my brother and me that we could get an Atari 2600 if we accumulated five hundred little star stickers. Stars were awarded for good grades, chores, and other such atta girls and atta boys. Five hundred stars to play Pac-Man…yeah. We were in. We created a galaxy on that piece of notebook paper in record time, and the folks produced an Atari. Bliss. It was bliss.


In thinking about how to increase my daily word count, I thought about what motivated me in the past. I’ve read a lot of books on habit formation and programming one’s brain to be productive. And it frankly sounded like a lot of effort, trying to create new habits. I mean, I’m basically lazy, which is part of my problem to begin with. So I thought if I could hook writing to some bit of motivation that already existed deep within my reptile brain, maybe I could make some progress.

I realized that I’d been programmed for years to respond to stickers as a kid. And why couldn’t I use that as an adult? I mean…it’s not like I have to impress anyone with my productivity habits. I don’t have to show off a leather-bound planner with a  proprietary check-box system in order to be taken seriously as a writer. I don’t need to adult all the time. I spend enough time adulting in all other aspects of my life. All that matters is that I have something that works and that I enjoy. 

So I got a wall calendar and a bunch of small stickers from the Dollar Store. They had Wonder Woman stickers on the day that I was in, so I was especially psyched. I promised myself a sticker for each thousand words I wrote. I put the calendar up on the wall across from my bed so that it’s the first thing I see in the morning when I wake up.

Holy rainbow horses, people! My inner child was so motivated to plaster stickers on my wall. I ran through Wonder Woman and fairies and am now working on a botanical washi sticker pack of flowering cacti. There’s something immensely satisfying about being able to see tangible results of one’s work…which is very hard to do when one is working with a Word document that doesn’t have physical form. I close the document and it goes away…out of sight, out of mind.

I used to do NaNoWriMo, but I’ve been able to double my NaNo productivity with stickers. It’s pretty easy to knock down 3000 words a day because I want to put some glitter hearts or foil dolphins on my calendar. And I get ridonkulous amounts of pleasure from flipping through my calendar over past months, seeing what I’ve been able to accomplish. 

I know that it doesn’t sound slick and professional. But it works for me. It’s cheap, fun, and easy.

And maybe the key to writing for me is just letting my inner ten year old go play with some glitter. If that’s what it takes, I’ll buy sticker sheets for the next fifty years. 


Morrigan’s Blood
Crow’s Curse
Book One
Laura Bickle

Genre: Urban Fantasy
Publisher: Syrenka Publishing LLC
Date of Publication: Sept. 25, 2020
ASIN: B08B9TJ4V9
Number of pages: 188
Word Count: 57000

Cover Artist: Danielle Fine

Tagline: Garnet has the blood of the legendary Morrigan – and legions of vampires and witches will go to war to possess that power.

Book Description:

Garnet has the blood of the legendary Morrigan – and legions of vampires and witches will go to war to possess that power.

As a trauma surgeon, Garnet Conners has seen more than her fair share of blood. But when one of her patients walks off the operating table and disappears into the night, she finds herself caught in a war between legions of vampires and witches in her city.

Garnet has dreamed of bloody battlefields for years – and a mysterious lover who controls a kingdom. In her waking life, Garnet is shocked to meet that man in a club. Merrel knows her from another life, a life in which she was the legendary Morrigan, goddess of death and war.

Garnet rejects the notion of magical incarnations altogether. But she falls in with Sorin, a handsome warlock who’s determined to protect the former bootlegger city of Riverpointe from a secret society of vampires. Haunted by crows and faced with undeniable proof of magic, Garnet scrambles to protect her career and loved ones from magical violence.

Abducted by vampires who seek to turn her into a vampire against her will, can Garnet seize the power of the legendary Morrigan to forge her own path in her embattled city? Or will she be forced to serve as a fearsome weapon in a deadly nocturnal war?

Excerpt:

          “What have you got for me tonight, folks?” I asked.
            I backed through the doors of the operating theater, butt-first, gloved hands lifted before me to keep them clean. I took small steps, mindful not to lose traction. Those thin booties were slick, and I’d fallen on my ass on more than one occasion when I made sudden moves. Tonight, I was determined to get through surgery in an upright position and not have to scrub in twice.
            One of the nurses read from notes on a computer terminal. “This guy was found in the parking lot of a closed bowling alley. Speculation is that he took a trip or two through the pin setting machine and got badly torn up.”
            “Well, that’s a first.” I turned toward the operating room table. The light was so bright that hardly any shadows were cast in the room. They focused on the unholy mess on the middle of my table.
            This. I’m supposed to fix this.
            A man lay, unconscious, on the table. His chest was torn open, flaps of skin oozing onto wads of gauze and a paper sheet. His face was a mass of blood, now being daubed at with sponges. The anesthesiologist had found his mouth to thread a tube down, and someone had managed to get an IV started in one of his scraped-up arms.
            My nose wrinkled under my mask. “What do the X-rays show? How deep does the damage go? Did he get a CT?”
            A nurse clicked on a flatscreen monitor that displayed a carousel of CT images. I  squinted at them, muttering dark oaths.
            “Radiologist says it looks like a lacerated pancreas, punctured lung, and two rib fractures,” the nurse said. The image switched to the head, and he said: “Also the bonus of a fractured orbital bone.”
            I stared at the CTs. “Let’s start with that lung. We leave the pancreas, and call plastic surgery on that orbital bone. This guy’s going to need all the king’s horses and all the king’s men to put him back together again.”
            “Will do.”
            I gazed down at the poor suffering bastard. I liked seeing the imaging, but I preferred to get a good visual with my own eyes on my patients. Sometimes X-rays and CTs didn’t tell me everything I needed to know about what to start sewing where. Something about seeing where the blood moved and pooled in an injured person gave me an idea of where to begin. The blood always led me to where I needed to direct my attention. Where it spurted required my immediate expertise. Where it clotted or moved lazily, I could wait a bit. When blood drained out of a limb and had left it white, I needed to add more. I noted with approval that he was already receiving a transfusion. As long as blood was moving, there was a chance for him
            I frowned at his chest and touched the edges of the rends in his flesh with gloved fingers. Those were ragged and would have to be cut clean before I sewed him back up. I could see the edge of one of those protruding ribs, sticking up like a finger. I glanced over his limbs, counting the usual four. Hey, it pays to count. Count twice, cut once. I mentally cataloged bruises and scrapes, nothing that needed my immediate attention, though I flagged the palms of his hands to get a few stitches from the surgical resident. Looked like defensive wounds, like the guy had tried to fight the pin machine, but lost.
            My eyes moved up to his face. One blackened eye was swollen shut. My fingers and gaze wandered over his scalp, checking for major wounds, when I spied a laceration at his throat.
            I gently probed it with gloved hands. Some kind of puncture…the machine must have caught him near a seeping vein. It had nearly dried up, smelling rusty and not like the bright, coppery blood of his more critical wounds. It could still take a few extra stitches.
            I stared down at the unfortunate guy’s oozing chest. Peeling back a flap of skin, I felt around for the collapsed lung. My finger quickly squished around and found the hole, and I extended my free hand for a scalpel. Time to get this party started…
            …when the patient sat bolt upright on the table. His good eye was open, rolling.
            I yanked my hands back and yelped at the anesthesiologist, “Curt, what the actual hell?”
            The OR erupted in a flurry of activity. The anesthesiologist arrived at the patient’s side with a syringe, while nurses tried to push the patient back down.
            But he was flailing, windmilling with his arms like a pro wrestler in the ring. The IV ripped out of his arm, and the line slashed back at the anesthesiologist, whipping across his face. The patient reached up and ripped the tube out of his throat. His foot caught an instrument tray, sending scalpels flying. His blood line yanked away, spewing crimson all over the floor.
            I held my hands out, using my most calming voice. Not that I had a particularly calming voice; I was a surgeon. We don’t talk to patients. But I tried: “You’re safe. I’m your doctor, Dr. Conners. If you just lie back, we’ll make you comfortable and—”
            The guy shrieked and launched himself off the table. The paper sheet tangled around his legs, and he grasped it around his waist as he put his shoulder down and aimed for the door. His shoulder hit me in the arm, and I slipped on my booties, landing on my ass on the tile floor. The patient launched through the swinging doors and disappeared down the hall.
            I swore and ripped my booties off my sneakered feet. I clambered to my feet and punched the intercom at the door with my elbow. “Security, code orange at OR 6.” I couldn’t say: I’ve got a runner taking off down the hall. Please send somebody to stop him, because anyone listening to that would freak the hell out, and I would get a talking-to from HR.
            I straight-armed the door and took off after the guy. I had no idea how the hell this man was still walking around. Those injuries should have flattened him, and he’d been anesthetized. I had graduated med school with Curt a few years ago, and knew him not to be a careless anesthesiologist who played on his phone in the OR.
            The patient skidded down the hallway, landing at a dead end, where a window overlooked the parking lot. The sun had just set, and the sky was the violet color of a fresh bruise. I approached him slowly, like I was herding a feral cat. I tugged my mask down to try and give him a human face to look at.
            “Hey, it’s okay. It’s gonna be okay,” I murmured soothingly. I wanted to keep him here until security arrived. If he got even further loose and hurt himself, that would be one obnoxiously long incident report. And an even more involved surgery after that.
            “No, no,” he said, shaking his head. “It’s not gonna be okay. The bloodsuckers found me…and the Lusine couldn’t protect me.”
            “I don’t know who that is,” I said, thinking that the guy had probably run afoul of some loan sharks. Maybe the mob? “But you’re safe here. We can protect you.”
            “No,” he gasped, his face twisted in agony. “No one can protect me. And no one can protect Emily.”
            He turned toward the window, backed up a few steps.
            “No, wait…” I could see what he was trying to do, and I was helpless to stop it.
            He rushed the window, aiming for it with his shoulder. All the latches on the hospital windows on patient floors were welded shut, but this wasn’t an area where conscious patients had access, and the window was not secured against suicide attempts. The glass buckled under his shoulder, the window crumpled away, and he pitched through in a hail of glass into the falling darkness.
            I rushed to the window and stared down at the parking lot in horror. Three stories down, the patient sprawled on the parking lot blacktop, flattened like a bug under a shoe.
            Curt had come up behind me. “Oh, my god, Garnet…did he…”
            “He jumped,” I said, my heart in my mouth. I turned and ran to the stairwell, barking at him. “Get a gurney and the ER team.”
            I burst into the stairwell, taking the steps two at a time. As I rounded the third curve, my path was blocked by a tall, dark-haired man in a brown velvet blazer and jeans. He was the type of guy that I might have liked to meet in my off-time—he had a kind of scholarly intensity in his hazel gaze and a bit of roguishness in the stubble that covered his sharp jaw.
            “Stand aside,” I blurted. “Emergency!” As if my bloody gloves and surgical gown weren’t warning enough.
            But he blocked my path, one hand on either stair rail, his long arms spanning the length of the stairwell. “That man is dangerous,” he growled softly.
            “That man is under my care,” I announced, lifting my chin. I walked into the man, figuring that he would give way to my outstretched bloody gloves. Like a normal person would.
.           But he didn’t. My sticky gloves nearly mashed into the velvet of his jacket, and he didn’t flinch. This close, he smelled like old books and moss.
            “You can’t go down there,” he said. His voice was soft, but insistent. 
            My eyes narrowed. “You don’t get to tell me where to go,” I chirped petulantly. I ducked under his arm, darting out of his reach, and barreled down the steps the remaining way to ground level.
            I rushed out into the parking lot and stopped short.
            “What the actual hell—”
            The patient peeled himself off the ground and crawled to his feet. He reminded me of a half-dead insect when he did so, shaking and rickety and dripping blood.
            That’s impossible, I thought. There was no way that a human being could do that. I took two steps toward him…
            …and a dozen people flitted out of the darkness, from the shadows beneath cars and behind shrubs. The overhead parking lot lights, haloed by moths, illuminated their long shadows on the pavement.
            I breathed a sigh of relief. The squad was here and would get him stable, get him back to my OR.
            But…my brow wrinkled. That wasn’t the squad. Nobody was in uniform. They converged on him as he turned, screaming.
            “Stop!” I shouted.
            Heads turned toward me. Their faces were moon-pale and glistening in the lamplight.
            The man in the velvet jacket grabbed my arm, dragging me back. “You want no part of this.”
            “Don’t tell me what I want,” I growled. I stomped on his instep and twisted my arm to break his grip at the weakest part, the thumb. I whirled and ran toward the fracas.
            The shadowy people had plucked my patient off the pavement, clotting around him.
            I yelled at them, the way I might yell at pigeons in the park who were eating my dropped French fries.
            Overhead, the parking lot lights shattered, one by one, in a series of pops. Someone had a gun. I flinched back, shielding my face from flying shards of plastic with my hands, as I was suddenly plunged into darkness. I heard fighting, yelling, as if a gang war had broken out in front of me, roiling in the dark where no one could see.
            Or at least, as dark as things could get in Riverpointe. Riverpointe was a decently sized city, and ambient light filtered back quickly from the freeway, headlights on the access road to the hospital, and the hospital’s helipad above.
            As my vision adjusted, I realized I was alone. The people who were trying to abduct my patient, my patient…even that fascinating-smelling velvet guy…all were gone. 
            Ambulance lights flashed at the end of the parking lot, approaching me. Behind me, I heard the hammering of footsteps on the stairwell. Security spilled out behind me, along with a few cops who’d been hanging out in the nurse’s lounge. The EMTs pulled up to the curb, and there were all of a sudden a couple dozen people churning in a uniformed cloud around me.
            “Where’d the guy go?” a security guard asked me.
            A moth that had once orbited the parking lot lights flitted down and smacked my face. I batted at it, grimacing.
            “I don’t know,” I whispered, stunned. “He was just…taken.”
            The moth landed on the ground on its back, wiggling.
            With bloody fingers, I picked it up and placed it gently in a nearby shrub. Lights, voices, and radios crackled around me. Questions rose and fell, directed at me in a tide of inquiries I couldn’t answer. But I stared at the bloody moth, stained by my touch, as it sought a safe place among the churning shadows and light.

About the Author:

Laura Bickle grew up in rural Ohio, reading entirely too many comic books out loud to her favorite Wonder Woman doll. She now dreams up stories about the monsters under the stairs and sometimes reads them to her cats. Her books have earned starred reviews from Publishers Weekly and Kirkus. Laura’s work has also been included in the ALA’s Amelia Bloomer Project 2013 reading list and the State Library of Ohio’s Choose to Read Ohio reading list for 2015-2016. The latest updates on her work can be found at authorlaurabickle.com.





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1 comment:

marisela zuniga said...

that's awesome that your parents did the sticker method for a big prize! this book sounds really good